WELCOME TO THE
RED DOOR
a view into the more personal side of me.
(scroll down to view, in-sequence, the following:
25 music and dance videos that reflect my tastes
over 60 samples of my artwork for you to view
my wife and my first HO-scale diorama, our hobby
my choices and preferences in the form of a survey

25 first-rate videos
that reflect my tastes in music & dance
...from YouTube

I am very particular about my music enjoyment and what moves me, makes me want to sing and dance. I want to identify ultimately with the performers, composers and musicians in the music videos and not just be a casual bystander. I appreciate and admire those who made the videos in the first place, since normally, it is the first thing I grab onto when clicking on YouTube to visit a video.
I like to be moved by music not just sit and be washed over. I want to be drawn in and become a part of the video. I am noted for having eclectic tastes in music and enjoy many kinds of music from rock to classical, jazz, country and more. Some are just good, even if I am not enamored with the type of music. Many times, I stumble on a cultural music or an ethnic music and think about it for a while, listen and view it many times, then when I start humming it and thinking it, I put it into my favorites places, which include my mind, heart and soul.
I, myself, am a percussionist and enjoy drum and tap and anything that is percussive, and many cultures of the world base their music on their sense of drumming or tapping. I love to watch dance, and I become part of it and want to do it many times, and I have. I hope you enjoy these videos, and I hope you come back to purchase my books, stay a while and look at the pictures and become a friend. If I wanted visitors only, I would not go to the trouble to create worlds for you to enjoy with me, my wife, Elizabeth, and the rest of my family. Come on in and stay a while. Contact me at
gregtheartist@gmail.com and let me know if you enjoy the experience with my following 25 music and dance videos. I hope these videos provide a means for you to understand me better and what drives me in the world of music and dance.
NOTE 1
I want to acknowledge Wikipedia for having provided much of the detail information
found in the descriptions of these videos. I have also used much Wikipedia data
in many of my books and have placed acknowledgments to this effect.
My wife and I contribute each year to Wikipedia's maintenance.
NOTE 2
Due to the changing face of YouTube recently, some videos are being blocked.
In the event, one of the videos below becomes blocked, please email me
at gregtheauthor@gmail.com, and I will replace it with another one I find wonderful.
Video 1
This video features Cyril Pahinui, the older man, with Peter Moon, Jr. accompanying on ukulele. It presents a Hawaiian slack-key song called Hi'ilawe for the waterfall of the same name. I think this is one of the most beautiful songs ever written and performed. It is interesting that both men are sons of prior well-known and superb performers, Peter Moon, Sr., and Gabby Pahinui who played together themselves.
Charles Philip "Gabby" or "Pops" Pahinui (April 22, 1921 - October 13, 1980) was a slack-key guitarist. Gabby was born Charles Kapono Kahahawaii Jr. and later hānai-ed into the Pahinui family as Charles Philip Pahinui and raised in the Kaka'ako area of Honolulu in the 1920s. It was impoverished at the time, very much resembling a shanty-town with small cluttered buildings and tin roofs falling apart. He spent his childhood supporting his family by selling newspapers and shining shoes. He dropped out of school after 5th grade at Pokukaina School. Eventually, he became the "father" of the Hawaiian music resurgence. Gabby's son, Cyril, is one of six sons. Gabby and his wife also had four daughters.
Peter Moon, Sr. (born August 25, 1944) is a ukulele and (slack-key) guitar player. Peter Moon was born on the island of Oahu to Wook and Shay-Yung Moon. From the late 1950s through the 1960s, he gained musical inspiration, insight, and knowledge; playing as a Maile Serenader with Gabby "Pops" Pahinui in the 1960s. Later, in the 1970s, he also served as Gabby's manager. Soon after, Moon became a founding member of The Sunday Manoa, along with Palani Vaughn, Alfred "Baby" Kalima, and Cyril Pahinui. After Vaughan and Cyril left the group, Moon released another album (Hawaiian Time) with Alfred and another of Gabby's sons named Bla. After this however, Moon remained the only member and recruited the very young Robert and Roland Cazimero. In 1969, their first album, Guava Jam was released and became seen as the spark of the Hawaiian Cultural Renaissance. Two more albums were released, but personal conflicts within the group led to their eventual breakup.
Hi'ilawe Falls is 1450' high with a free fall of 1200', the highest on the Hawaiian islands. Hi'ilawe Falls is the most famous waterfall in Waipio Valley and can be found in the largest valley on the Big Island.
Here are the lyrics.
Kamaka ka ikena ia Hi`ilawe
I ka papa lohi mai a`o Maukele
Pakele mai au i ka nui manu
Hauwala`au nei puni Waipi`o
A`ole no wau e loa`a mai
A he uhiwai au no ke kuahiwi
He hiwahiwa au no ka makua
A he lei `a`i na ke kupuna
Na Puna ke `ala i hali`ia mai
Noho i ka wailele a`o Hi`ilawe
Ha`ina `ia mai ana ka puana
Kamaka ka `ikena ia Hi`ilawe
Here is the translation.
All eyes are on Hi`ilawe
In the sparkling lowlands of Maukele
I have not been trapped by the gossip
Chattering everywhere in Waipi`o
I am not caught
For I am the mist of the mountains
I am the darling of the parents
And a lei for the necks of grandparents
*Beloved of my parents
The fragrance is wafted from Puna
And lives at Hi`ilawe waterfall
I was at the bosom of Ha`i, the woman
At the beloved bosom of Ha`inakolo
Annoyed at the many birds
They were indifferent to the distress they caused
You are my companion in the day of joy
The many birds there caused a commotion
It is my great skill
The waves of the ocean overwhelm us
The ocean rages fearfully
But my steering is skillful
Hurry, let us go close to the wharf
I am your new love to be kissed
My flower, my lei, my love for you
Is unforgettable like the muilan flower
Tell the refrain
All eyes are on Hi`ilawe
*The fragrance is wafted from Puna
"Hi'ilawe" written by Sam Li`a Kalainaina, Sr.
Video 2
This video features the song Pata Pata made famous by the enchanting African songstress, Miriam Makebe, in the 1960s. This colorful version is performed by Coumba Gawlo and drives me to singing and dancing every time. It is dynamic, exciting and just plain fun. Coumba Gawlo Seck is a Senegalese singer-songwriter and composer who was born in February 1972 in Tivaouane. She is the second best selling Senegalese singer in Senegal after Youssou N'Dour. Her greatest success is her version of Pata Pata, a platinum single which was number one for two weeks in Belgium and sold 50,000 copies one day in France in 1998.
Miriam Makeba (4 March 1932 – 10 November 2008), nicknamed Mama Africa, was a Grammy Award winning South African singer and civil rights activist. In the 1960s she was the first artist from Africa to popularize African music in the U.S. and around the world. She is best known for the song "Pata Pata", first recorded in 1957 and released in the U.S. in 1967. She recorded and toured with many popular artists, such as Harry Belafonte, Paul Simon, and her former husband Hugh Masekela. She actively campaigned against the South African system of apartheid. As a result, the South African government revoked her citizenship and right of return. After the end of apartheid she returned home. She died on 10 November 2008 after performing in a concert organized to support writer Roberto Saviano in his stand against the Camorra, a mafia-like organisation local to the Region of Campania.
Descended from a long line of griots (praise singers), Coumba Gawlo Seck has continued to pursue the tribal roots of her music. A graduate of ECMT Martin Luther King (Dakar College), Seck has provided music for several productions by Teatro National Daniel Sorano. Her performance at Telefood 98, in Dakar, was broadcast globally in 1998. The following year, she received a New Talent/Singer award at Kora '99. ~ Craig Harris, All Music Guide. She's the daughter of the famous griot Fatou Kiné Mbaye.
The words in the video are in Xhosa, a South African language that has clicks in it and you can hear that in Miriam Makeba’s version. This is on Gawlo's Yo Male album.
Lyrics include:
Saguguka sathi beka
(Nantsi, pata pata)
Saguguka sathi beka
(Yiyo, pata pata)
Yi yo mama yiyo mama
(Nantsi, pata pata)
Yi yo mama yiyo mama
(Yiyo, pata pata)
Translation:
Lyrics to Pata Pata:
Sometimes I sit down and wonder, what?
What the people really want?
They need a new sound,
a new dimension, (yeah)
the latin flavor, (yeah)
come on mami &
come on mami &
come on mami &
come on mami &
Chorus
Sacutunda sachipega, dancing pata pata
sacutunda sachipega, dancing pata pata
sacutunda sachipega, dancing pata pata
sacutunda sachipega&dancing
Pata pata was the sound that made the people stand,
that's why I come to bring it to my generation:
make some stand,
make some dance,
and some of them slam.
Yes& the pata pata come to run the nation.
(Bridge repeat twice)
Mama ehh ahh mama ehh ahh ma&
Mama ehh ahh mama ehh ahh ma&
I want you to jump
I want you to jump
I want you to jump and dance
Chorus
I don't think their's anybody who doesn't love to pata
pata
I want you to bend your back and then I bend my knees.
We do the pata pata we just rock it steady
we glue on together like the bee's to honey.
(Bridge repeat twice)
Mama ehh ahh mama ehh ahh ma
Mama ehh ahh mama ehh ahh ma
I want you to jump
I want you to jump
I want you to jump and dance.
Pata pata is the sound that makes the people jump around.
Hey&! Come on everybody,
let's get down with the pata pata, pata pata, baby&!
You got an invitation to my party
specially all the girls that are hot and sexy
to make some of them spin
make some of them grin with my style
This is El General for all ladies.
Mama ehh ahh mama ehh ahh ma
Mama ehh ahh mama ehh ahh ma
Love me like a chulo mami.
Love me like a chulo mami
Love me like a chulo mami
Mama ehh ahh mama ehh ahh ma
Mama ehh ahh mama ehh ahh ma
Love me like a chulo mami.
Love me like a chulo mami
Love me like a chulo mami.
Who is the one that really want's to come test me?
Chorus ( and together with final)
Pata pata pata pata pata pata pata pata pata pata pata boom boom
boom
pata pata pata pata pata pata pata pata pata pata give it to me
baby baby
Tell me if you love, tell me if you love me.
Hmmmmm, hmmmm, hmmmm
Video 3
This video features the song I Kona by the remarkable Hawaiian slack key musician Ledward Kaapana, one of the most versatile guitar and ukulele masters of the age, along with Dennis Kamakahi and Nathan Aweau. This version displays the beauty of the dance that provides the words for the song through the use of the dancer's body motions and hand movements.
Ledward Kaapana
Ledward Kaapana's hard work and easy-going attitude have made him one of Hawaii's most beloved traditional musicians. Born in 1948, Led numbers among the top musical artists in Hawaii and, increasingly, on the world circuit. A master of ki ho'alu (slack key guitar), Led is also accomplished on 'ukulele, autoharp, bass, and steel guitar. His baritone and traditional leo ki'eki'e (falsetto) singing is as remarkable, and he blends his virtuosity with an infectious joy for performing, a generous spirit, and a kolohe (rascally) sense of humor.
Led grew up in the remote village of Kalapana on the Big Island of Hawaii, and was surrounded by music in his daily life. "You could go to any house and everyone was playing music," he recalls. "We didn't have electricity, no television, not even much radio," he says, "So we entertained ourselves. You could go to any house and everybody was playing music. Even today when I play, I picture all the 'ohanas (families) getting together and sharing their songs and their aloha."
Like most Hawaiian musicians, Led learned to play at a young age, by watching, listening, and imitating. Encouraged by his kupuna (elders) and disciplined about practicing, he developed a seemingly inexhaustible ability to improvise. As he sees it, the best improvisation is based on two things: the song itself and the mood of the moment, which changes each time you play the song. "Everything you play, every time you play, has a mood, an energy. If you plug into it, the music just flows. Even in a simple song, there are so many different ways to play the melody, the rhythm, the harmony. It never stops if you stay open to it"
At age fourteen, Led began to play professionally with his mother, Tina Kaapana, and his uncle, the legendary slack key master Fred Punahoa. Despite his hometown's isolation, he also absorbed outside influences. "I've always listened to country, jazz, Latin music, even rock and roll. Sometimes back in Kalapana, I'd sneak a little "Pipeline" or "Walk Don't Run" into the Hawaiian music. My dad would say 'Hey, that's not slack key.' But nobody ever stopped me. They just said to play what you feel and play with aloha."
He relocated to Oahu several years later with his twin brother Nedward and his cousin Dennis Pavao as the popular trio Hui 'Ohana. Through fourteen best-selling albums and countless live appearances, they proudly maintained Kalapana's musical traditions. After they disbanded, Led stayed with the trio format, creating I Kona, who have released six albums to date. He has also shared his talents with a variety of other top Hawaiian performers, including Aunty Genoa Keawe, Uncle Joe Keawe, David Chun, Barney Isaacs, The Hoopii Brothers, Melveen Leed, the Pahinui Brothers, and others.
Led began recording with Dancing Cat Records in 1991. His first album, LED LIVE, was released in 1994. In 1996, Dancing Cat released KIKA KILA MEETS KI HO'ALU, Led and Bob's groundbreaking first duet album, followed by WALTZ OF THE WIND (1998) and BLACK SAND (2000). In 2001, Bob and Led released their second duet album, IN THE SADDLE, on Dancing Cat Records.
Through his thirty-eight years as a professional, Led has steadfastly maintained his family traditions and the aloha for the music that first inspired him to pick up an instrument. He has been richly rewarded for his loyalty. He comments, "It all goes back to the 'ohana. My mom and dad, Uncle Fred, all the musicians back home in Kalapana. They shared the music with me and I've been lucky enough for share it with others all around the world." (from Bob Brozman)
Dennis Kamakahi
Dennis David Kahekilimamaoikalanikeha Kamakahi is a Hawaiian slack key guitarist, recording artist, and music composer. He has won multiple Grammy Awards, and in 2009 was inducted into the Hawaiian Music Hall of Fame. In 1972, Kamakahi became a member of a Hawaiian music group known as Na Leo O Nuuanu. His first recording with Na Leo O Nu'uanu was the album Ia 'Oe E Ka La Volume 1, released on the Nakahili Productions label with Palani Vaughan. It was the first of a series of albums based on the life of King David Kalakaua. The second recording of the group, released 1974, was recorded live at a music festival in Waimea, Hawaii called The Waimea Music Festival. The festival featured many of Hawaii's popular entertainers of the time including Gabby Pahinui, Fred Punahoa, The Sunday Manoa and Genoa Keawe.
It was his tenure with Eddie Kamae and the Sons of Hawaii (1974–1995) that led Kamakahi to become one of Hawaii's most prolific songwriters in the Hawaiian language, composing around 500 songs. In 1974, Kamakahi recorded with the Sons of Hawaii for the National Geographic Society's Music of the World series. This was the beginning of seven albums under the Hawaii Sons label and the recording of many of Kamakahi's music compositions. In 1978 he became a member of the American Society of Composers, Authors, and Publishers and created Naukilo Publishing Company, a music publishing firm.
At the 49th Grammy Awards in Los Angeles, California on February 11, 2007, Kamakahi received his first Grammy Award for Best Hawaiian Album for the slack key guitar compilation CD Legends of Hawaiian Slack Key Guitar, part of the recorded live concerts at Kapalua, Maui at the Ritz Carlton Hotel. Dennis received his second Grammy in the Hawaiian Music Category in 2008 at the 50th Grammy Awards in Los Angeles for the slack key guitar compilation CD Treasures of Hawaiian Slack Key Guitar, part of the second recorded live concert series at the Napilikai Resort Hotel in Kapalua, Maui. He also joined the Music Teachers National Association that year to continue the teaching and advancement of music composition to students.
Kamakahi was nominated for a third Grammy in 2009 at the 51st Grammy Awards with the slack key compilation CD The Spirit of Hawaiian Slack Key Guitar, a third recorded live series at the Napilikai Resort Hotel in Kapalua, Maui. The CD did not win the award, but Kamakahi did receive his first gold Grammy Nominee medal as a record producer.
Kamakahi was nominated for his fourth attempt to win a Grammy on the slack key compilation CD The Masters of Hawaiian Slack Key Guitar Volume 2 - Live in Maui and won his third Grammy for Best Hawaiian Music Album at the 52nd Grammy Awards on January 31, 2010.
In 2009, Kamakahi was awarded the Lifetime Achievement Award from the Hawaii Academy of Recording Arts as a member of the Sons of Hawaii and inducted into the Hawaiian Music Hall Of Fame. Kamakahi continues to perform in live concerts in Hawaii and abroad and currently teaches Hawaiian slack key guitar, the History of Hawaiian songs and their meaning, and songwriting workshops in both Hawaii and the U.S. mainland.
Nathan Aweau
Nathan Aweau was born into a musical family, his grandparents could play various instruments as well as performing with a band, his mom a piano player and his father for many years taught music and was a choir director as well as a Polynesian music teacher at various high schools. Nathan’s early years consisted of piano lessons, learning the guitar and ukulele and having the natural ability to sing. From grades seven through twelve his main instrument was the saxophone.
In college he performed in the jazz ensemble as a bass player and the wind symphony as a percussionist. By this time his passion for the electric bass made him decide that this would be his main instrument. In 1983, during his college years, he started his professional career accompanying performers such as Gabe Baltazar, Henry Kapono, Loyal Garner and Nohelani Cypriano to name a few. He was a member of the Hoku award winning group, Ka'eo, as well as with the award winning group The Ali'i's. He also did a 16-year stint with the legendary Don Ho. He’s done various high school and college level seminars, covering subjects from writing, arranging and sequencing to computer music.
For a few short years, Nathan was a music teacher at various schools in Hawai’i. He’s even done a project with students from Campbell High School. The students had a chance to see the workings of what goes on in producing a song and recording it. Other than being a stage musician, Nathan has performed on commercials for Windward Mall, Meadow Gold, JCB credit card co., etc. He's done background music for various TV shows for the Travel Channel, and has done music beds and liners for various radio stations. In 2001, Nathan released a CD called “E Apo Mai”, which garnered him a couple of awards. One was for “Male Vocalist of the Year”, “Song of the Year” and “Contemporary Hawaiian Album of the Year”. A few years after, he released a Jazz CD called “Bass Etude”, which focused on the electric bass. This project was honored as “Jazz Album of the Year”.
From 2003-2010, Nathan was a member Hapa. In 2005 they released an album called “Maui” which shot up the Billboard Magazine’s World Music chart, and peaking at number 7. The following year Hapa went home with 4 out of 6 Hoku Awards. That very year Nathan was honored as “Male Vocalist of the Year”. This was his second time that he went home with this award which placed him in a small group of gentlemen who has won this award more than once. In 2006 Nathan yet again was honored as “Male Vocalist of the Year”, his second in a row, three times total, and the was the only male artist to be recognized as such.
In December 2008 Nathan released his long awaited follow up to “E Apo Mai”, called “Kane’ohe”. This CD is focused on songs which celebrate the place that Nathan calls home. He wrote all twelve songs, played every instrument, sang all the background parts, engineered, mixed and mastered the entire CD. Wayne Harada, a very well respected music critic once said of Nathan, “Nathan is that distinguished rarity…a jack of all trades, master of a wide domain”. Don Ho exclaimed, “A diamond in the rough with tremendous potential”. New York Times, “Nathan has an indebt understanding of orchestration, and his singing style is effortless”.
Nathan was involved in a few Grammy Award nominated projects; 2009 Slack Key Kings Vol II. Featured an original piece called “Intermission”. Amy Hanaiali’i CD “Friends and Family. An original piece by Nathan, sung as a duet.
Hawaiian Legends, the Performance Group
The Hawaiian Legends, featured in this Video, include Ledward Kaapana, Nathan Aweau, on base, and Dennis Kamakahi, on the right side of the group as you see them.
I KONA
Ledward Kaapana wrote and sings I KONA, recorded at the the 1st concert featuring the Hawaii Legends at the 2011 January Tour at Kauai Community College Performing Arts Center January 15th, 2011.
Video 4
This video features Sophia Jannok, a singer from Sweden, who with her performances brings forth the power and beauty of the Sami people of extreme north Norway, Sweden and Finland (plus other Arctic border lands). It is a wonderful and inspiring sound that stays with you. The song is entitled Liekkas. Sofia Jannok was born 15 September 1982, and is a Swedish Sami singer from Gällivare, Sweden. She mainly sings in Sami and does yoiking.
A joik, also spelled yoik, luohti, vuolle, leu'dd, or juoiggus is a traditional Sami form of song. Originally, joik referred to only one of several Sami singing styles, but in English the word is often used to refer to all types of traditional Sami singing. According to music researchers, joik is one of the longest living music traditions in Europe, and is the folk music of the Sami people. Its sound is comparable to the traditional chanting of some Native American cultures.
The joik is a unique form of cultural expression for the Sami people in Sápmi, the name of the cultural region traditionally inhabited by the Sami people. Sápmi is located in Northern Europe and includes the northern parts of Fennoscandia. The region stretches over four countries: Norway, Sweden, Finland, and Russia. Sápmi is the name in North Sámi, while the Julev Sámi name is Sábme and the South Sámi name is Saemie. In Norwegian and Swedish the term Sameland is often used. It is frequently mistaken for being exclusively synonymous with the province of Swedish or Lapland. Sápmi may also be sub-divided into cultural regions according to the states' borders, that obviously affects daily life for people no matter their ethnicity. By Sámi, these regions are commonly referred to as "sides", for example "the Norwegian Side" (norgga bealli) or "the Finnish side" (suoma bealli).
With the fall of the Soviet Union and increasing internationalization, cross-border co-operation is becoming more important, and existing state borders less important both for the Sámi indigenous population and non-Sámi inhabitant, the latter constituting the majority population of the region. Russians and Norwegians are the most numerous groups, and the Sámi make up only a small minority of about 5%. No political organization advocates secession, though several groups desire more territorial autonomy and/or more self-determination for the region's indigenous population. The region has its own football team, the Sámi Spábbáčiekčanlihttu, that plays in the NF-Board, won the 2006 Viva World Cup and hosted the 2008 event.
Each joik is meant to reflect a person or place. This does not mean that it is a song about the person or place, but that the joiker is attempting to transfer "the essence" of that person or place into song; one joiks their friend, not about their friend. This is an important distinction, and should be fully understood, otherwise the video will not be digestible. It usually has short lyrics or no lyrics at all. This type of song can be deeply personal or spiritual in nature. Improvisation is not unusual. However, there are other forms of joik that have a more epic type of lyrics. Joik is traditionally chanted a cappella and often dedicated to a human being, an animal, or a landscape as a personal signature. A joik is often made for a person at the time he or she is born. The tonality of joik is mostly pentatonic, but joikers are at liberty to use any tones they please. A pentatonic scale is a musical scale with five notes per octave.
Sofia has always been singing and yoiking and when she was about 11 years old she stepped onto the stage. Since that day she has been performing a lot with her music and also taken part in CDs, music for film and TV, musicals and other nice events. In the spring of 2006 she went out on tour with Rikskonserter throughout Sweden and southeast Europe. Her solo project on CD with producer Svein Schultz was released in February 2007 and is called White/Ceaskat. Now she is working on an album with her band.
Liekkas, the song
Nástegokčasa vuolde
mon ráhkadan luottaid
Guovssahasa sánit
libardit dáivahis
Jaskatvuođa hálddus
mu vuoigŋamat dávistit
Juoga savkala munnje
ahte leat boahtime
Doala mu gieđa
Njávkka mu niera
savkal čáppa sániid
jeđđe litnasit
Leage nu liekkas vai mon in galbmo
Juoiggas vel munnje...
Sánit / lyrics & comp: S. Jannok
Beneath a starlit sky
I make traces
As signs of the northern light
dance above
In the care of silence
my breathing echoes
Something whispers to me
that you are on your way
Hold my hand
Stroke my cheek
Whisper beautiful words
Comfort me tenderly
Please, be warm so I woudn't freeze
Give me also a yoik...
Jorgalan / translated by: Marja Skum
Video 5
This video features the performance of a Sami duo from Sweden going by the name of Sophia and Anna. It is a contemporary piece of beauty and meaning entitled Du Calmmit (Your Eyes). One half of the duo is Sofia Jannok, and the other side of the duo is Anna Kärrstedt. Both girls hailed from Gällivare, Sweden, situated at the northern end of the Inlandsbanan railway line, about 100 kilometers north of the Arctic Circle.
Video 6
This video presents music in a most remarkable way with Andre Rieu featuring a 3-year old violinist named Akim Camara (now 10). This 2005 performance, almost 7 years ago, is probably one of the most provocative, inspiring and emotional piece I have ever seen. The conductor provides the fun and environment for a child to perform confidently in front of an immense audience. He is truly a master.
André Léon Marie Nicolas Rieu
André Léon Marie Nicolas Rieu, born 1 October 1949, is a Dutch violinist, conductor, and composer best known for creating the waltz-playing Johann Strauss Orchestra. The name Rieu is of French Huguenot origin. He began studying violin at the age of five. His father, of the same name, was conductor of the Maastricht Symphony Orchestra. From a very young age he developed a fascination with orchestra. He studied violin at the Conservatoire Royal in Ličge and at the Conservatorium Maastricht, (1968–1973). His teachers included Jo Juda and Herman Krebbers. From 1974 to 1977, he attended the Music Academy in Brussels, studying with André Gertler, getting his degree "Premier Prix" from the Brussels Royal Conservatory.
At the University, he performed the Gold And Silver Waltz by Franz Lehár. Encouraged by the audience reaction he decided to pursue the waltz form. Rieu formed the Maastricht Salon Orchestra and performed as a violinist with the Limburg Symphony Orchestra. In 1987, he created the Johann Strauss Orchestra and his own production company. Since then, his melodramatic stage performances and rock-star demeanor have for some been associated with a revival of the waltz music category. André Rieu plays a 1667 Stradivarius violin. In April 2009, he made a cameo appearance as himself on "Ramsay Street" in the long-running Australian soap opera Neighbours. He is married to Marjorie, who works with him full-time as production manager, and has two sons, Marc and Pierre. He speaks (in order of fluency) Dutch, English, German, French, Italian and Spanish. That is, in itself, remarkable.
Akim Camara
Akim Camara, born 27 October 2001 in Berlin-Marzahn, is a biracial child of mixed African (paternal) and German (maternal) descent, and is a violinist who began playing at the age of two. At only two years of age, Akim took up violin lessons under instructor Birgit Thiele at the Marzahn-Hellersdorf School of Music. Akim was at this point still in diapers and speaking in unintelligible toddler gibberish yet he was remarkably able to remember music heard and the names of all orchestral instruments. Moved by his remarkable memory and natural "ear for music" Akim's teacher began instructing the toddler twice a week in 45 minute sessions. Akim participated enthusiastically and, due in part to his remarkable memory, the toddler was learning unbelievably fast. After six months of this fairly light training regimen little Akim had his debut performance in December 2003 at the age of two in a Christmas concert "Schneefloeckchen, Weissroeckchen" put on by the Marzahn-Hellersdorf School of Music.
Birgit Thiele and the music school principal, Gudrun Mueller, messaged Andre Rieu, the celebrity Dutch violinist, regarding Akim's prodigious talent through his website. Rieu responded swiftly. He sent a camera crew to Berlin to film little Akim on the violin. What he saw astounded him. He hastily took action and invited the parents and grandmother of the boy to his studio in Kerkrade, Netherlands along with Akim. Three year old Akim's performance at the studio was apparently so impressive that it left all of the orchestra members in astonishment and disbelief.
Within two weeks, little Akim was performing with Rieu in concert at Kerkrade's Parkstad Limburg Stadion filled to near-maximum capacity with an audience of 18,000 people on a toddler-size violin and wearing a tiny custom-made concert tuxedo and dress shoes. After amusing the crowd with a "water trick" toddler Akim then performed Ferdinand Kuchler's violin concertino in G, opus 11 followed by a brief encore performance. Akim exited stage right after two massive standing ovations and roaring cheers.
Following the success of Akim's performance, the little boy had to be essentially hidden from the public eye as many German television stations began pursuing him for appearances. Rieu took the toddler under his wing, so to speak, paying for his musical lessons on both violin and piano and overseeing his instruction (both musical and otherwise) so that Akim will remain "a nice boy" and not become "an insufferable child prodigy" as Rieu fears would be a possibility without his influence.
With his uncanny ability to memorize a musical piece after hearing it only once or twice, Akim's talent developed rapidly and his youthful enthusiasm and passion for the violin only grew. After an interview and appearance on a Danish TV show the young prodigy performed once again with Andre Rieu. This time Akim was performing a more complex piece, Felix Mendelssohn's Dance of the Fairies and at New York City's Radio City Music Hall, and with an appropriately bigger violin. He also sang "Pie Jesu" with Carla Maffioletti. Akim has since performed on television with the likes of Wolfgang Fischer and Richard Clayderman.
Video 7
This video features another Sami culture music piece, Sparrow of the Wind, performed by Vajas. It is an unusual song, but it grows on you. It did me. Vajas, meaning echo in North Sámi, is a Sámi-Norwegian band with Kristin Mellem on violin and vocals, Nils Johansen on guitars, computers and synthesizers and the famous Sami ethnic yoiker Ánde Somby on vocals and yoik (joik). The band debuted in 2003 and has toured internationally ever since. In October 2006 Vajas released its first album, Sacred Stone. The band is currently working on getting the release distributed in Germany and the UK with other countries to follow.
Kristin Mellem is a classically trained composer and violinist who has done a lot of musical projects. She has composed and performed music both in smaller settings and with full orchestras. Ánde Somby is both a traditional and non-traditional Sami yoiker (joiker) and has been performing since the late seventies. Somby also has a Ph.D. in Law and is a busy academic, employed at the University of Tromsř in Norway. Nils Johansen is a musician, composer, artist and multi-instrumentalist and is also a member of the Norwegian pop/indie duo Bel Canto. Johansen has been a part of the international music industry since the mid eighties and has composed music for film, television and for full orchestras. He wrote the opening number to the debut of the Norwegian radio channel P3 and has done a lot of musical work outside his two bands.
Somby lived with Kristin Mellem from 2003 to 2007, and they have one child together, born in 2005. From a former marriage Somby has two children, born in 1980 and 1988. Somby is the father of Lawra Somby, who yoiks in the even more famous duo Adjagas.
Video 8
This video presents a performance of Ravel's Bolero, a classical music piece that I have loved since the first time I heard it. The orchestra is directed by Dutch violinist and conductor Andre Rieu. It is a wonderful and inspiring rendition. Rieu is also the conductor featured in Video 6. He is a most extraordinary man of talent humor and clearly a very human person.
The Song
Boléro is a one-movement, orchestral piece by Maurice Ravel (1875–1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition. Before Boléro, Ravel had composed large scale ballets (such as Daphnis et Chloé, composed for the Ballets Russes 1909–1912), suites for the ballet (such as the second orchestral version of Ma Mčre l'Oye, 1912), and one-movement dance pieces (such as La Valse, 1906–1920). Apart from such compositions intended for a staged dance performance, Ravel had demonstrated an interest in composing re-styled dances, from his earliest successes (the 1895 Menuet and the 1899 Pavane) to his more mature works like Le tombeau de Couperin (which takes the format of a dance suite).
Boléro epitomises Ravel's preoccupation with restyling and reinventing dance movements. It was also one of the last pieces he composed before illness forced him into retirement: the two piano concertos and the Don Quichotte ŕ Dulcinée song cycle were the only compositions that followed Boléro.
Video 9
This is a most-unusual piece entitled Tunak Tunak Tun by India-based, Punjabi, pop singer Daler Mehndi. This was suggested by a young man of 10 who said I would like it. It did, and I still do. It is straight-forward fun and entertainment. Daler Mehndi Daler Mehndi was born August 18, 1967, and is an Indian Bhangra pop singer.
Mehndi was a student of traditional Punjabi music, and his first album broke sales records in India. Since 1995, he has recorded several highly successful albums in India, and also has sung as a playback singer for several Hindi movies. His international popularity has grown in recent years allowing him to tour the United States. Mehndi is also well known as a philanthropist, funding beautification projects in Delhi and aiding earthquake victims.
Mehndi' was born and raised in Patna, Bihar to a Punjabi Sikh family. He began singing at age 6 and was taught the ragas and Shabads from the Guru Granth Sahib by his parents.] At age fourteen, he spent three years refining his voice and learning how to play the tabla, dholak/dhool, harmonium and tanpura from Late Ustad Raahat Ali Khan Saheb of Gorakhpur.
Mehndi eventually switched from classical music to pop, and in 1995 his first album Bolo Ta Ra Ra, with tunes based on those given to him by his mother, sold half a million copies in four months and 20 million copies total, making him the best selling non-soundtrack album in Indian music history. He received the Award for Voice of Asia International Ethnic and Pop Music Contest in 1994. He earned Channel V's Best Male Pop Singer Award, which he received in 1996 for Dar Di Rab Rab and in 1997 for Ho Jayegi Bale Bale. He has appeared in the films Mrityudata and Arjun Pundit. His success helped him negotiate a record-breaking deal with his record company Magnasound for 20.5 million rupees. He has also been a guest star on the new Indian version of Sesame Street known as Galli Galli Sim Sim. Currently, he is mentor in the Zee TV reality show Sa Re Ga Ma Pa Singing Superstar.
His album song "Tunak Tunak Tun" (1998) is a worldwide Internet phenomenon. This cult following was spurred by the music video for Mehndi's song "Tunak Tunak Tun", often referred to simply as "Tunak", which gained its popularity due to Daler Mehndi's wild dancing and has led to many homages and parodies. Mehndi originally conceived of the music video, in which he dances with "clones" of himself, in response to media statements that he was popular only because of the models in his videos. "Tunak Tunak Tun" was the first music video to make use of bluescreen technology in India. It would later be the inspiration behind the dance employed by the fictional Draenei race in the popular video game World of Warcraft.
Mehndi has also worked with British punk-rock band The Wolfmen, releasing songs such as "Two Eyes" and "Thieves and Liars" that combine his Indian vocal style with the strong guitar work of Marco Pirroni, well known from Adam and the Ants. Daler specializes in a type of Hindi-Pop that he infuses with Rababi singing, a Sikh musical tradition. The sound is similar to that of Techno, dance, and house music, with the folk sounds of an Indian tabla being played in the background. His popularity and the concurrent revival of Bhangra music is thought to be driven by the ease of dancing to it and a national pride in the Indian people. He has been trained under Girija Devi for a short span.
He has established the Daler Mehndi Green Drive to help make a cleaner environment in Delhi. He has also donated 85 million rupees to the green drive, 12 million rupees to KARGIL charities, and built 16 houses in Gujarat after an earthquake there. He also did a concert series in Pakistan to raise funds for the quake victims. He has also helped rehabilitate victims of the Orissa cyclone and street children in Kenya.
Video 10
This performer, known as Bruddah IZ, whose real name is Israel Kamakawiwo'ole, is a remarkably proud Hawaiian who was a big person in so many ways. A large man who passed away at 38 due to complications from his size, was an influential force in maintaining Hawaiian pride, and his performances are pure, wonderful, and moving. I get emotional whenever he hear him perform, and this is one of his best.
Israel "IZ" was born May 20, 1959 and passed away June 26, 1997. He was a revered a Hawaiian musician. He became famous outside Hawaii when his album Facing Future was released in 1993. His medley of "Over the Rainbow" and his cover of Louis Armstrong's classic "What a Wonderful World" were subsequently featured in several films, television programs, and television advertisement commercials. Through his ukulele playing and incorporation of other genres (such as jazz and reggae), IZ remains one of the major influences in Hawaiian music.
IZ was born at Kuakini Hospital in Honolulu to Henry Kaleialoha Naniwa Kamakawiwo'ole, Jr., and Evangeline Leinani Kamakawiwo'ole. He was raised in the community of Kaimuki, where his parents had met and married. He began playing music with his older brother Skippy and cousin Allen Thornton at the age of 11, being exposed to the music of Hawaiian entertainers of the time such as Peter Moon, Palani Vaughn, and Don Ho, who frequented the establishment where Kamakawiwo'ole's parents worked. Israel continued his path as his brother Skippy entered the Army in 1971 and cousin Allen parted ways in 1976 for the mainland.
In his early teens, he studied at Upward Bound (UB) of the University of Hawaii at Hilo and his family moved to Mākaha. There he met Louis "Moon" Kauakahi, Sam Gray, and Jerome Koko. Together with his brother Skippy, they formed the Makaha Sons of Ni'ihau. From 1976 throughout the 1980s, the Hawaiian contemporary band gained in popularity as they toured Hawaii and the continental United States and released fifteen successful albums.
In 1982, Kamakawiwo'ole's brother, Skippy Kamakawiwo'ole, died of a heart attack. In that same year, Kamakawiwo'ole married his childhood sweetheart Marlene. Soon after, they had a daughter whom they named Ceslie-Ann "Wehi".
Kamakawiwo'ole was known for promoting Hawaiian rights and Hawaiian independence, both through his lyrics, which often stated the case for independence directly, and his life. His song Hawai'i '78 demonstrates the beliefs and hopes that he had for the people of Hawai’i: the life of this land is the life of the people, and that to care for the land is to care for the Hawaiian culture. The state motto of Hawai'i is a recurring line in the song and encompasses the meaning of IZs message: Ua Mau ke Ea o ka 'Āina i ka Pono (Roughly translated: The life of the land is perpetuated in righteousness).
Video 11
This is one of my favorite performers, and I wanted to put this particular piece in, because of how beautifully and smoothly, the legendary Chet Atkins plays Hawaiian slack key guitar out of interest, respect and talent. Chester Burton Atkins (June 20, 1924 – June 30, 2001), known as Chet Atkins, was an American guitarist and record producer who, along with Owen Bradley, created the smoother country music style known as the Nashville sound, which expanded country's appeal to adult pop music fans as well.
Atkins's picking style, inspired by Merle Travis, Django Reinhardt, George Barnes and Les Paul, brought him admirers within and outside the country scene, both in the United States and internationally. Atkins produced records for Perry Como, Elvis Presley, the Everly Brothers, Eddy Arnold, Don Gibson, Jim Reeves, Jerry Reed, Skeeter Davis, Connie Smith, Waylon Jennings and others.
Among many honors, Atkins received 14 Grammy Awards as well as the Grammy Lifetime Achievement Award, nine Country Music Association Instrumentalist of the Year awards, and was inducted into the Country Music Hall of Fame and Museum.
Video 12
This is another unique piece, one featuring ice dancing skills and creativity unmatched today. The dancers are Jayne Torvill and Christopher Dean performing to Ravel's Bolero. My wife and I consider this Olympic event to be one of the most inspiring and innovative occurrences ever. Torvill and Dean were amazing and set a level of creativity that has not been matched yet. The sheer controlled grace and ultimate precision is still exciting and inspirational today as it was in 1984. It was also stunningly romantic.
Jayne Torvill
Jayne Torvill, born 7 October 1957, is a British ice dancer. With Christopher Dean, she won a gold medal at the 1984 Winter Olympics and a bronze medal at the 1994 Winter Olympics. She became hooked on ice skating at the age of 8 following an after-school trip to the local ice rink. In 1971 at age of 14, Torvill became the British National Pairs Champion with her then partner Michael Hutchenson. After parting with Hutchenson, Torvill continued to skate on her own for a while before teaming up with Dean in 1975. After placing 5th in the 1980 Winter Olympics at Lake Placid, New York, Dean gave up his job as a policeman, and Torvill gave up job as an insurance clerk to skate together full-time.
Torvill and Dean's free program at the 1984 Sarajevo Winter Olympics, performed to the music of Maurice Ravel's Boléro, became world famous. They received twelve perfect 6.0 marks, one of five occasions they were awarded all perfect scores for artistic impression. This is one of the most popular achievements in the history of British sport, watched by a British television audience of twenty four million.
Torvill and Dean turned professional after their 1984 Olympic win and under then existing Olympic Committee rules their professional status made them ineligible to compete in the Olympics again. However in 1993 the International Skating Union relaxed the rules for professional skaters, allowing the pair to participate in the 1994 Winter Olympics in Lillehammer where they won a bronze medal.
Torvill took a seven-year break from skating from 1998-2005. In January 2006, she and Dean began starring in the ITV show Dancing on Ice. Each year, the show ran from January to March and then went on tour to arenas across the United Kingdom. In November 2011, Torvill said, "the standard each year has gotten higher and higher, which is exciting for us -- to think what we can achieve with people who have never skated or are relatively unknown to skating." Torvill was appointed Officer of the Order of the British Empire (OBE) in the 2000 New Year Honours list. Torvill and Dean were elected to the World Figure Skating Hall of Fame in 1989.
Torvill currently resides in East Sussex, England, with her husband, Phil Christensen, and their two children, Kieran and Jessica. She remains close friends with skating partner Christopher Dean.
Christopher Dean
Christopher Colin Dean, OBE, born 27 July 1958 in Calverton, Nottinghamshire, England), is a famous British ice dancer who won a gold medal at the 1984 Winter Olympics with his skating partner Jayne Torvill. They also won a bronze medal at the 1994 Winter Olympics. Dean grew up in Calverton, Nottinghamshire, and from 1974-80, he was a police constable with Nottinghamshire Police.
Christopher Dean began to skate at the age of 10 after he received a pair of skates as a Christmas present. His parents were ballroom dancers. At school he was captain of the football team and he saw ice skating as a sport that was athletic and graceful. Dean's first ice partner was Sandra Elson. They began skating together when he was 14 and competed as ice dancers for a few years. However, despite becoming British Junior Dance champions, the team parted, as Dean and Elson did not get along well. Dean then agreed to try out Jayne Torvill, another skater at the Nottingham rink. The pair were first coached by Janet Sawbridge, but in 1978, Betty Callaway became their coach.
Dean left school at age 16 and joined the Nottingham Police Force in 1974. It was challenging for him to undergo police cadet training, as his schedule often clashed with his skating training sessions. Thus Torvill and Dean had to practice during his off-hours. These difficult times brought them closer and gave them a sense of discipline that was to prove vital throughout their career.
By 1980, Torvill and Dean had progressed to not only become British National Dance Champions but were in medal contention in international competitions as well. It was then that Chris realized he could no longer balance his skating and police careers, and he resigned from the police force. Torvill soon left her job as well. Dean also served as the chief choreographer for the Torvill and Dean team. Torvill and Dean were admitted to the World Figure Skating Hall of Fame in 1989.
Between 1991 and 1993 Dean was married to French-Canadian World ice dance champion Isabelle Duchesnay whom he met while choreographing the routines for her and her brother Paul Duchesnay in the late 1980s. On 15 October 1994, Dean married American skater Jill Trenary in Minneapolis, Minnesota. They have two sons, Jack Robert and Sam Colin, and resided in Colorado Springs, Colorado. Dean's agent confirmed in March 2010 that the couple had separated. He and Trenary remain on good terms. Dean also remained close friends with partner Jayne Torvill, although they did not skate together again until 2006. In January 2011, it has also been confirmed that Dean is in a relationship with former Dancing On Ice Judge Karen Barber.
Video 13
This is another unique piece, one featuring the tap dancing arts of Savion Glover. This performance was held in the White House for President Bill Clinton and First Lady, Hillary Clinton. It is a remarkable study of tap and coordination. I have always enjoyed watching and listening to tap dancing, and this is one performance I think is one of the best, a controlled, even-paced presentation.
Savion Glover, born November 19, 1973, is an American tap dancer, actor, and choreographer. As a learning prodigy, he was taught by notable dancers from previous generations. Glover is currently interested in restoring African roots to tap. He wants to put tap back into the contemporary black context. His great grandfather on his mother's side, Dick (King Richard) Lundy, was a short stop for the Negro Leagues. He managed eleven Negro League baseball teams, including the Newark Eagles. His grandfather, Bill Lewis, was a big band pianist and vocalist.
His grandmother, Anna Lundy Lewis, was the minister of music at Newpoint Baptists Church in Newark. She played for Whitney Houston when she was singing in the gospel choir. Anna Lundry Lewis was the one who first noticed Savion's musical talent. She once held him and hummed some rhythms to him, and he smiled and joined along. Savion claims his style is young and funk. When asked to describe what funk is, he says it is the bass line. Funk is anything that gets one's head on beat. It is riding with the rhythm. It is a pulse that keeps one rolling with the beat.
Gregory Hines, a tap legend, was once one of Glover's tap teachers. Hines states that, "Savion is possibly the best tap dancer that ever lived." Savion likes to start his pieces with some old school moves from famous tappers and then work his way into his own style. Hines says it’s like paying homage to those he respects, those he looks up to. When Honi Coles died, Savion performed at his memorial service. He finished his dance with a famous Coles move, a backflip into a split from standing position, then getting up without using one's hands. Savion rarely does this move because it wasn't his style, but he did it because it was Coles' style that Savion wanted to keep alive, "I feel like it's one of my responsibilities to keep the dance alive, to keep it out there, to keep the style."
Henry Le Tang calls Glover the Sponge because he learns very quickly with everything that is thrown at him. Le Tang taught the Hines brothers back in the 1950s and taught Glover for a little while before having him work for "Black and Blue," a tap revue in Paris in 1987. Glover is the future of tap. Many legendary tappers taught Glover such as Le Tang, the Hines brothers, Jimmy Slyde, Chuck Green, Lon Chaney, Honi Coles, Sammy Davis, Jr., Buster Brown, Howard Sims, and Arthur Duncan. They all passed on their moves and talents to Savion after he went public with his career with the Broadway performance in, "The Tap Dance Kid" at the age of ten.
In the pre-Civil War South, slaves were forbidden to use drums because their owners feared of rebellion. Because drums were unattainable, the rhythm of the beat was relocated to their feet in the form of tap. There was a connection of the tap beat and the subversive liberation. Many tappers have played the drums in their lifetime. In addition to Savion, Harold Nicholas, Fred Astaire, Gregory Hines, and Bill “Bojangles” Robinson went from drums to tap. At the age of seven, Savion drummed in a group called Three Plus One. In the group, he demanded that he danced while he played the drum. Tap is like a drum solo where one may create many tones from the foot. The heel may be used as the bass drum, the ball as the snare, and the side of the foot as a rim shot. A regular tap dancer knows the typical ball and heel movement, but not many know about the side of the arch, the inside of the foot.
Glover has a heavy foot for tap. He dances hard and loud in every step. He teaches his mentees that one must learn how to hit. "Hitting" is a term related to one's ability to express oneself, to complete a tap sequence, to say something. One can't hit if he or she cannot express themselves. Savion claims that tap won't go anywhere if tap is kept within the classroom. One must reach that point where one can hit by incorporating all the classroom moves, but converting it into his or her own style. Savion likes to see what one has learned in the class, but he only likes to see one's true self behind the new moves, how one feels, how one hears the rhythms, without any restrictions.
Video 14
There are no dancers of tap finer than the famous Nicholas Brothers, and this video shows why. It is a concerted effort of two brothers who provide both halves to a whole, a memorable performance back when black and white film was supreme. The Nicholas Brothers were a famous African American team of dancing brothers, Fayard (1914–2006) and Harold (1921–2000). With their highly acrobatic technique ("flash dancing"), high level of artistry and daring innovations, they were considered by many the greatest tap dancers of their day. Growing up surrounded by Vaudeville acts as children, they became stars of the jazz circuit during the heyday of the Harlem Renaissance and went on to have successful careers performing on stage, film, and television well into the 1990s. Fayard Antonio Nicholas was born October 20, 1914 in Mobile, Alabama. Harold Lloyd Nicholas was born March 17, 1921 in Winston-Salem, North Carolina.
The Nicholas Brothers grew up in Philadelphia, the sons of musicians who played in their own band at the old Standard Theater, their mother at the piano and father on drums. At the age of three, Fayard was always seated in the front row while his parents worked, and by the time he was ten, he had seen most of the great African American Vaudeville acts, particularly the dancers, including such notables of the time as Alice Whitman, Willie Bryant and Bill Robinson. Neither Fayard nor Harold had any formal dance training.
They became the featured act at Harlem's Cotton Club in 1932, when Harold was 11 and Fayard was 18. They were the only entertainers in the African American cast allowed to mingle with white patrons.
In that exhilarating hybrid of tap dance, ballet and acrobatics, sometimes called acrobatic dancing or "flash dancing," no individual or group surpassed the effect that the Nicholas Brothers had on audiences and on other dancers. By 1940, they were in Hollywood and for several decades alternated between movies, nightclubs, concerts, Broadway, television, and extensive tours of Latin America, Africa, and Europe.
The Nicholas Brothers taught master classes in tap dance as teachers-in-residence at Harvard University and Radcliffe as Ruth Page Visiting Artists. Among their known students are Debbie Allen, Janet Jackson, and Michael Jackson. Several of today's master tap dancers have performed with or been taught by the brothers: Dianne Walker, Sam Weber, Lane Alexander, Mark Mendonca, Terry Brock, Colburn Kids Tap/L.A, Channing Cook Holmes, Chris Baker, Artis Brienzo, Chester Whitmore, Tobius Tak, Carol Zee and Steve Zee.
Harold died July 3, 2000 of a heart attack following minor surgery. Fayard died January 24, 2006 of pneumonia after having a stroke. One of their signature moves was a "no-hands" splits, where they went into the splits and returned to their feet without using their hands. Gregory Hines declared that if their biography was ever filmed, their dance numbers would have to be computer generated because no one could duplicate them. Ballet legend Mikhail Baryshnikov once called them the most amazing dancers he had ever seen in his life. I agree.
Video 15
The world record for the fastest tap is held by the incomparable Michael Flatly of 1995 Riverdance fame. This is an excerpt from the show, and it contains all the elements for music and dance drama. It is one of my favorites and features Michael Flatley and Jean Butler. This is Irish step-dancing at its best.
Michael Flatley
Michael Ryan Flatley, born 16 July 1958, is an American Irish dancer, choreographer, actor, musician and occasional television presenter. He became internationally known for Irish dance shows Riverdance, Lord of the Dance, Feet of Flames, and Celtic Tiger. On April 20, 2010 Michael announced he would return to the stage for the European tour of 'The Return of Michael Flatley as Lord of the Dance'. A movie of the show was released worldwide on Saint Patrick's Day 2011 in 3D.
Flatley is a native of the South Side of Chicago, born to Irish parents. He began dancing lessons at 12 and, in 1975, became the first non-European resident to win the All-Ireland World Championship for Irish dance. He is a trained amateur pugilist as well as a proficient flautist, having twice won the All-Ireland Competition. In dance, Flatley was taught by Dennis Dennehy at the Dennehy School of Irish Dance in Chicago, then went on to producing his own show. After graduating from Brother Rice High School, on Chicago's Southwest Side, he opened a dance school.
He was the first American to win the World Irish Dance Championships and also won numerous All-Ireland Flute Championships. From 1978–79 he toured with Green Fields of America. Later he toured with The Chieftains in the 1980s. He received the National Endowment for the Arts' National Heritage Fellowship in 1988.In May 1989, Flatley set a Guinness Book world record for tapping speed at 28 taps per second. Flatley was named one of National Geographic Society's Living Treasures in 1991 for mastery of a traditional art form by a living person – the youngest person at that time ever to receive this accolade.
Flatley choreographed the original Riverdance and led the show to great success as the intermission act in the Eurovision Song Contest on April 30, 1994. He then starred in the full-length show that was developed from the original seven-minute act. He also took a starring role in the show's U.K. debut. After leaving the show due to disagreement over creative control after its first run in London, he produced, directed, and choreographed Lord of the Dance which was played mostly in arenas and stadiums instead of theaters. He also put together a dance production called Feet of Flames in 1998. He later went on to produce another version of that show of which around 50% of the numbers were different from that of the 1998 show. Titled Feet of Flames The Victory Tour, he toured Europe in 2000 and the USA in 2001. He broke his own record for tapping speed in February 1998, by achieving 35 taps per second.
Flatley also received Guinness Book recognition in both 1999 and 2000 for being the highest paid dancer, earning $1,600,000 per week and for having the highest insurance policy placed on a dancer's legs at $40,000,000. In December 2001, Flatley became the first recipient of the Irish Dancing Commission Fellowship award, an honorary degree in Irish dance, and was simultaneously made a Fellow of the American Irish Dance Teachers’ Association. Irish America magazine named Flatley Irish American of the Year in March 2003. In March 2011, Michael Flatley was inducted into Irish America magazine's Irish America Hall of Fame.
In 1986, Flatley wed Polish make-up artist Beata Dziąba, and divorced in 1997. In April 2006, Flatley spoke about his recent discovery of a facial skin cancer. He had kept the cancer a closely guarded secret, but said, "I'm completely fine now, thank God."
On November 15, 2006, Flatley was admitted at Harley Street hospital in London after falling ill in his London home as said by his publicist. According to media reports, a serious viral infection caused the illness. All the fall and winter tours of his latest production, Celtic Tiger, were cancelled. He was discharged after spending two weeks there and claimed that he will release future tour dates but never did. Niamh Flatley gave birth to son, Michael St. James Flatley, on Thursday April 26, 2007.
Jean Butler
Jean Butler, born March 14, 1971, is an Irish American Irish dancer, choreographer, and occasional actress. She is best known for originating the principal female role in the Irish dance company Riverdance.
Jean Butler was born in Mineola, New York. Her mother, Josephine, is from County Mayo in Ireland. She has an older brother, Michael, and a younger sister, Cara. She started off with ballet and tap classes at the age of four. She eventually quit both. She began Irish dance lessons at the age of six, which she quit promptly. "I hated it. They made me stand with my arms at my sides for two hours. So, I left. I was too young." She tried Irish dance again at age nine, this time with a different dance teacher, Donald Golden, who she considers to be one of the most influential people in her life. About a year into Irish dance, she became very serious with it and quit the soccer and baseball teams. From a young age, she competed in regional, national and international championships.
Butler attended Hofstra University and earned an Honours Degree in Theatre and Drama from the University of Birmingham. In England she met Irish dancer Colin Dunne when she was fifteen, and they performed together at Mayo 5000. Together they produced the Irish dancing show Dancing on Dangerous Ground. Jean completed a Master's degree in Contemporary Dance Performance from the University of Limerick in 2005.
In 2001 she married Irish designer Cuan Hanley. Jean and her sister, Cara Butler, each won numerous national titles and regional titles, and placed well in international competitions. Jean has performed with Green Fields of America and Cherish the Ladies. She debuted with The Chieftains at Carnegie Hall at the age of seventeen, and toured with them on three continents.
In 1994, under the invitation of producer Moya Doherty, she performed in a seven-minute intermission piece at the Eurovision Song Contest entitled Riverdance. The piece was co-choreographed by Butler with Michael Flatley. The response was so explosive that it was extended into a full show, starring Jean Butler and Flatley. The show toured for about a year. Flatley then abruptly left the show over contractual disputes; six months later she was joined by Colin Dunne. They then danced at the famous Radio City Music Hall in New York City, New York. This was later put on DVD. After a long and extremely successful run with the show, Butler also eventually left Riverdance.
She and Dunne (who had by then also left Riverdance) collaborated again to create the show Dancing on Dangerous Ground, which was based on the ancient Irish legend of Diarmuid and Gráinne. It opened in London in 1999 to critical acclaim, and then in New York. In 1999 she was also awarded the Irish Post Award for "outstanding contribution to Irish Dance". From 2003 to 2005, Butler was Artist In Residence at the University of Limerick's Irish World Music Centre. In 2009 she received the "Outstanding Contribution to Arts & Culture Alumni Award" from the University of Limerick.
She received a commission from the Irish Arts Council to create a solo work in 2004 and premiered Does She Take Sugar? on 12 April 2007 at the Project Arts Centre in Dublin. With Colin Dunne and George Hook, she is a judge on the Radio Telefís Éireann reality series Celebrity Jigs 'n' Reels. She retired from active dancing in 2010.
Video 16
Rhine Area Pipes & Drums
Founded 1977 in Düsseldorf, Germany
(a wonderful bagpipe presentation)
http://www.rapd.de/
Military Tattoo Cologne 2004
The song was written by McCartney and band mate Denny Laine in tribute to the picturesque Kintyre peninsula in Argyll & Bute, Scotland, where McCartney had owned a home and recording studio since the late 1960s.
Lyrics:
Oh mist rolling in from the sea,
My desire is always to be here
Oh Mull of Kintyre
Far have I traveled and much have I seen
Dark distant mountains with valleys of green.
Past painted deserts the sunsets on fire
As he carries me home to the Mull of Kintyre.
Mull of Kintyre
Oh mist rolling in from the sea,
My desire is always to be here
Oh Mull of Kintyre
Sweep through the heather like deer in the glen
Carry me back to the days I knew then.
Nights when we sang like a heavenly choir
Of the life and the time of the Mull of Kintyre.
Mull of Kintyre
Oh mist rolling in from the sea,
My desire is always to be here
Oh Mull of Kintyre
Smiles in the sunshine
And tears in the rain
Still take me back to where my memories remain
Flickering embers growing higher and higher
As they carry me back to the Mull of Kintyre
Mull of Kintyre
Oh mist rolling in from the sea,
My desire is always to be here
Oh Mull of Kintyre
Mull of Kintyre
Oh mist rolling in from the sea,
My desire is always to be here
Oh Mull of Kintyre
Video 17
This video is one of my favorites; it features two of my favorite old people, the venerable Scotty Brothers. I like to bring them up and play the spoons with them, and now my grand-daughter is enjoying them and playing as well. I learned that one does not have to play frantically to do a good job. This is a terrific presentation of a typical family parlor or kitchen spoon play.
Video 18
This video is another one of my favorites, Toto's Rosanna, the song I picked at the Grammy Winner for that year, and it won. "Rosanna" is the opening track from their 1982 album Toto IV. This song won the Record of the Year Grammy Award in the 1983 presentations. Rosanna was also nominated for the Song of the Year award. In musician circles, the song is known for its highly influential half-time shuffle, the Rosanna shuffle, as well as a blowing ending guitar solo played by guitarist Steve Lukather. The song Rosanna peaked at #2 on the Billboard Hot 100 for five consecutive weeks, and also peaked at #12 on the UK Singles Chart. The B-side of the vinyl single was the song "It's a Feeling," which is also on the album Toto IV.
Toto, the band, is an American rock band formed in Los Angeles in 1977. The group currently consists of Joseph Williams (lead vocals), David Paich (keyboards), Steve Porcaro (keyboards), Steve Lukather (guitars, vocals), Mike Porcaro (bass), and Simon Phillips (drums). Toto is known for a musical style that combines elements of pop, rock, soul, funk, progressive rock, hard rock, R&B and jazz. They are regularly associated with the soft rock genre.
David Paich and Jeff Porcaro had played together as session musicians on several albums and decided to form a band. David Hungate, Steve Lukather, Steve Porcaro and Bobby Kimball were recruited before their first album release. The band enjoyed great commercial success in the late 1970s and 1980s, beginning with the band's self-titled debut released in 1978. With the release of the critically acclaimed and commercially successful Toto IV (1982), Toto became one of the best-selling music groups of their era. They are best known for the Top 5 hits "Hold the Line," "Rosanna," and "Africa".
Live In Amsterdam was filmed during Toto's 25th Anniversary tour of 2002/2003, and presents the band in their strongest element - live in concert. Toto is not nearly as popular in the United States as they are in Europe, where relatively unknown progressive-rock bands can hold legendary status. A band like Toto can sell out large venues in places like Paris and Amsterdam, but would be hard pressed to fill a medium sized club here in the U.S.
Most people would not consider Toto to be a progressive-rock band, but in concert their music comes alive with a raw intensity rarely seen on the studio albums. You can thank guitarist-extraordinaire Steve Lukather for that one, as his phenomenal shredding is as good as any guitarist in the business. Toto is only a small part of his resume, and they are not always the best vehicle for his heavier or "bluesier" stuff. He became a great session guitarist because he shapes his playing for the good of the song, and no style is beyond of his reach. This can be frustrating for Lukather fans, as his playing is often too restrained in order to fit the typical Toto formula.
Toto critics usually complain about the band being a little too polished and calculated. They were, after all, some of the best studio musicians in the business, before deciding to form Toto together. In concert, most of that polish gets stripped away, and they become a much looser and dynamic band. Legendary rock drummer Simon Philips took over for Jeff Porcaro after his death in 1991, and he has succeeded in adding a little more muscle and progressiveness to Toto's sound. He is also an outstanding producer, who produced and mixed this DVD, as well as a number of other rock and prog-rock albums, which he also performs on. His writing, playing, and production work on their last studio release, Mindfields, and companion live album, Livefields, are remarkable. These albums, along with this DVD, also feature the return of original Toto vocalist Bobby Kimball. His voice sounds better than ever, and he and Philips have breathed new life into a band that I had almost written off.
Although their popularity in the United States diminished in the 1990s and 2000s, they remained popular internationally, playing only a small number of shows in the USA. Several changes to the lineup have been made over the years. In 2008, Lukather announced his departure from the band, and the remaining band members later went their separate ways. In the summer of 2010, Toto reformed and went on a short European tour, with a new lineup, to benefit Mike Porcaro, who had been diagnosed with amyotrophic lateral sclerosis (ALS).
The band has released a total of 17 albums, and have sold over 35 million albums to date. The group was honored with several Grammy Awards and was inducted into the Musicians Hall of Fame in 2009.
On the video:
- - - Bobby Kimball - Vocals
- - - Steve Lukather - Guitar/Vocals
- - - Mike Porcarro - Bass
- - - Simon Philips - Drums
- - - David Paich - Keyboards/Vocals
- - - Tony Spinner - Guitar/Vocals
- - - John Jessel - Keyboards/Vocals
Lyrics:
All I wanna do when I wake up in the morning is see you eyes
Rosanna, Rosanna
I never thought that a girl like you could ever care for me, Rosanna
All I wanna do in the middle of the evening is hold you tight
Rosanna, Rosanna
I didn't know you were looking for more than I could ever be
Chorus:
Not quite a year since she went away, Rosanna yeah
Now she's gone and I have to say
Meet you all the way, meet you all the way, Rosanna yeah
Meet you all the way, meet you all the way, Rosanna yeah
I can see your face still shining through the window on the other side
Rosanna, Rosanna
I didn't know that a girl like you could make me feel so sad, Rosanna
All I wanna take is a night you'll never ever have to compromise
Rosanna, Rosanna
I never thought that losing you could ever hurt so bad
Chorus
(Instrumental break)
Chorus
Meet you all the way, meet you all the way, Rosanna yeah
Meet you all the way, meet you all the way, Rosanna yeah
Video 19
This video is another one of my favorites, Sailing by Christopher Cross. My daughter chose this song to dance at her wedding as the Father/Bride dance, July, 2000. It was wonderful and still is. I picked this Grammy winner too.
Christopher Cross was born Christopher Charles Geppert; May 3, 1951 and is an American singer-songwriter from San Antonio, Texas. His debut album earned him five Grammys. He is perhaps best known for his Top Ten hit songs, "Sailing", "Ride Like the Wind", and "Arthur's Theme (Best That You Can Do)", the last of which he performed for the film Arthur starring Dudley Moore. "Sailing" earned three Grammy Awards in 1981, while "Arthur's Theme" won the Oscar for Best Original Song in 1981 (with co-composers Burt Bacharach, Carole Bayer Sager and Peter Allen). Cross married his wife, Jan, in 1988. They divorced in 2007. They have two children; son, Christopher, and daughter, Madison.
Lyrics:
Well, it's not far down to paradise, at least it's not for me
And if the wind is right you can sail away and find tranquility
Oh, the canvas can do miracles, just you wait and see.
Believe me.
It's not far to never-never land, no reason to pretend
And if the wind is right you can find the joy of innocence again
Oh, the canvas can do miracles, just you wait and see.
Believe me.
[Chorus]
Sailing takes me away to where I've always heard it could be
Just a dream and the wind to carry me
And soon I will be free
Fantasy, it gets the best of me
When I'm sailing
All caught up in the reverie, every word is a symphony
Won't you believe me?
[Chorus]
Well it's not far back to sanity, at least it's not for me
And if the wind is right you can sail away and find serenity
Oh, the canvas can do miracles, just you wait and see.
Believe me.
[Chorus]
Video 20
This video is from the Session's Band, Bruce Springsteen. I think this is the best version of The Saints Come Marching in, there is. Bruce Springsteen with The Sessions Band is the touring folk group for the Seeger Sessions album released by Springsteen. A live album “Bruce Springsteen with The Sessions Band: Live in Dublin” was released June 5, 2007. I have the CD for this, and play it many times over.
The band in Dublin
Bruce Springsteen – vocals, guitar, harmonica
Sam Bardfeld – violin, vocals
Art Baron – sousaphone, trombone, mandolin, penny whistle, euphonium
Frank Bruno – acoustic guitar, vocals, field drum
Jeremy Chatzky – Bass guitar, double bass
Larry Eagle – drums, percussion
Clark Gayton – trombone, vocals, percussion
Charles Giordano – accordion, piano, Hammond organ, vocals
Curtis King Jr. – vocals, percussion
Greg Liszt – banjo, vocals
Lisa Lowell – vocals, percussion
Ed Manion – tenor and baritone saxophones, vocals, percussion
Cindy Mizelle – vocals, percussion
Curt Ramm – trumpet, vocals, percussion
Marty Rifkin – steel guitar, dobro, mandolin
Patti Scialfa – acoustic guitar, vocals
Marc Anthony Thompson – acoustic guitar, vocals
Soozie Tyrell – violin, vocals
Video 21
This video is from Roberta Flack, The First Time I Ever Saw Your Face. What can I say. I love this, and it brings back my days at Penn State in the 1970s. It was first heard at 121 North Gill Street and never forgotten. The video brings it all back.
Roberta Flack, born February 10, 1937, is an American singer, songwriter, and musician who is notable for jazz, soul, R&B, and folk music. Flack is best known for her Hot 100 #1 singles "The First Time Ever I Saw Your Face", "Killing Me Softly with His Song" and "Feel Like Makin' Love", as well as "Where Is the Love" and "The Closer I Get to You", two of her many duets with Donny Hathaway. "The First Time Ever I Saw Your Face" won the 1973 Grammy Record of the Year and "Killing Me Softly with His Song" won the same award at the Grammy Awards of 1974. She and U2 are the only artists to win the award in consecutive years.
Flack was born in Black Mountain, North Carolina and was raised in Arlington, Virginia. She first discovered the work of African American musical artists when she heard Mahalia Jackson and Sam Cooke sing in a predominantly African-American Baptist church. During her early teens, Flack so excelled at classical piano that Howard University awarded her a full music scholarship. She entered Howard University at the age of 15, making her one of the youngest students ever to enroll there. She eventually changed her major from piano to voice, and became an assistant conductor of the university choir. Her direction of a production of Aida received a standing ovation from the Howard University faculty. Flack is a member of Delta Sigma Theta sorority and was made an honorary member of Tau Beta Sigma by the Eta Delta Chapter at Howard University for her outstanding work in promoting music education.
Flack became the first African-American student teacher at an all-Caucasian school near Chevy Chase, Maryland. She graduated from Howard University at 19 and began graduate studies in music, but the sudden death of her father forced her to take a job teaching music and English for $2800 a year in Farmville, North Carolina.
Flack then taught school for years in Washington, DC at Browne Junior High and Rabaut Junior High. She also taught private piano lessons out of her home on Euclid St. NW. During this period, her music career began to take shape on evenings and weekends in Washington, D.C. area night spots. At the Tivoli Club, she accompanied opera singers at the piano. During intermissions, she would sing blues, folk, and pop standards in a back room, accompanying herself on the piano. Later, she performed several nights a week at the 1520 Club, again providing her own piano accompaniment. Around this time, her voice teacher, Frederick "Wilkie" Wilkerson, told her that he saw a brighter future for her in pop music than in the classics. She modified her repertoire accordingly and her reputation spread. Subsequently, a Capitol Hill night club called Mr. Henry's built a performance area especially for her.
Lyrics:
The first time ever I saw your face I thought the sun rose in your eyes
And the moon and the stars were gifts you gave to the dark and the endless skies
The first time ever I kissed your mouth
I felt the earth move in my hands
Like the trembling heart of a captive bird
That was then at my command
My love
The first time ever I lay with you
I felt your heart so close to mine
And I knew our joy would fill the earth
And last til the end of time
My love
The first time ever I saw your face
Your face
Your face
Your face
Video 22a
Forever Young, Joan Baez, Austin City Limits
Both of these videos, 23a and 23b, are from one of my all-time favorite female singers, and a woman who had a great influence on my love of music, Joan Baez, who I believe has one of the most beautiful voice ever. I love watching her perform, but I only chose these two.
Lyrics:
May God bless and keep you always
May your wishes all come true
May you always do for others
And let others do for you
May you build a ladder to the stars
And climb on every rung
May you stay forever young
Forever young, forever young
May you stay forever young.
May you grow up to be righteous
May you grow up to be true
May you always know the truth
And see the lights surrounding you
May you always be courageous
Stand upright and be strong
May you stay forever young
Forever young, forever young
May you stay forever young.
May your hands always be busy
May your feet always be swift
May you have a strong foundation
When the winds of changes shift
May your heart always be joyful
And may your song always be sung
May you stay forever young
Forever young, forever young
May you stay forever young.
Video 22b
Diamonds and Rust, 1975, Joan Baez
Lyrics:
(Words and Music by Joan Baez)
Well I'll be damned
Here comes your ghost again
But that's not unusual
It's just that the moon is full
And you happened to call
And here I sit
Hand on the telephone
Hearing a voice I'd known
A couple of light years ago
Heading straight for a fall
As I remember your eyes
Were bluer than robin's eggs
My poetry was lousy you said
Where are you calling from?
A booth in the midwest
Ten years ago
I bought you some cufflinks
You brought me something
We both know what memories can bring
They bring diamonds and rust
Well you burst on the scene
Already a legend
The unwashed phenomenon
The original vagabond
You strayed into my arms
And there you stayed
Temporarily lost at sea
The Madonna was yours for free
Yes the girl on the half-shell
Would keep you unharmed
Now I see you standing
With brown leaves falling around
And snow in your hair
Now you're smiling out the window
Of that crummy hotel
Over Washington Square
Our breath comes out white clouds
Mingles and hangs in the air
Speaking strictly for me
We both could have died then and there
Now you're telling me
You're not nostalgic
Then give me another word for it
You who are so good with words
And at keeping things vague
Because I need some of that vagueness
now
It's all come back too clearly
Yes I loved you dearly
And if you're offering me diamonds and
rust
I've already paid
Video 23
This video is from Tom Paxton, an anti-war singer of songs that made us think. He did this in 1965, and in 1966, I was off to Texas for basic training in the Air Force. I served from 1966 to 1970, but I managed to avoid the scourge of Vietnam, not all did. There is an interesting message in this video, and I remember singing it myself in Wiesbaden, Germany while I was with 7101 MATRON. Part of the reason I like the video itself is the reaction of the host of the show.
Video 24
This video is from the incredible Andre Segovia, a guitarist who used to get his guitar equipment from the same upstate New York establishment that my grandfather used. In one remarkable instance, Andre appeared at my grandparent's home in Jamaica, Long Island. I was not there, but my father and mother were. I understand it was a special occurrence. Therefore, I find this video quite moving.
Video 25
This video is a moving experience from a large man, Bruddah IZ, a man of heart, conscience and of love for Hawaii. This was filmed shortly before his death, and leaves a message of responsibility and more. It is hard to watch, but it many ways, it must be watched. I cry each time I view it, but they are tears of wonder and respect.
Over 60 samples of my artwork for you to view





















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My wife and my HO-scale (1/87) diorama, our hobby
OUR HOBBY

Elizabeth and I at home on our private fantasy island
Elizabeth and I have a hobby, and it is designing and constructing large HO-scale (1/87) dioramas.
This is the first, the Galax Bay Canal, designed for our private South Pacific island group,
Shoppolis Islands. What you see are details as of December 31, 2011.



























HAPPY NEW YEAR!
My choices and preferences in the form of a survey
In addition: If I publish the results of a self-contrived survey, I won't have to bear the burden of answering survey questions at a party, assuming I am ever invited to one. I just have to figure out how to get everyone I hope to know to come to this site first. Needless to say, I suggested some questions, and others are mine alone. In general, I have included aspects of life that have had a great influence on my life in one way or another. I have all had actors, movies and other institutions that I thank for the good things. I shy away from the bad, but I have included elements of bad example. I asked myself an array of questions (not in order) and received the following answers (in order). From this assortment, you can better understand me and probably can assemble a reason why you should read my books. I hope you enjoy this, and who knows?....we might have much in common. Then, again, you might buy and read me books, because we are so different and not alike at all.
THE SURVEY
- Science Fiction that changed me: Aldous Huxley, Writer, particular:
Chrome Yellow
- Poet that had the greatest impact on me: Lawrence Ferlinghetti, A
Coney Island of the Mind
- Favorite artist of all times: Maxfield Parrish, a fellow
Pennsylvania Academy of Fine Arts alumnus
- Model polo players:
- - Cecil Smith
- - Ray Harrington (my family had one of Ray's old horses,
Racer)
- - the Barrys
- - Tommy Hitchcock
- - Ben Forney of Lancaster, PA (I
played on the same field with him)
- The best times I had with my Dad: stick-and-ball plus
playing polo on his team
- Artist that had the most profound effect on me: Giotto
- Former situation: clawing out of the upper middle class
- Current situation: mired in the lower middle class; clawing
my
way to the bottom (a line used by my friend Richard Raezer of
Raezer's Edge speakers for guitarists )...... RIP Richard (www.raezers-edge.com)
- Future situation: basking in the upper levels of the lower class (any
higher would be undignified)
- Former concern: the targeting of the American middle class; Let's
hear it for the New World Order...... prrrrrt!
- Current concern: the victimization of the American middle class;
Did someone say, "New World Order" or was it "Governance?".
It could be the way to go.... who knows? Might have to wait
and see.
- Most detrimental effect of Corporate America on its citizens: Loss
of independence unless sanctioned by the MBA system
- Biggest insult to corporate employees: Jeans on Friday (what are
we children? Yes.)
- Most enigmatic dichotomy: ghost writing for the living
- Most compelling annoyance: the falling short of fellow man
- Favorite pastime: Sailing a broad reach between 4:30pm and 6:00pm
on a Summer evening with friends and family
- Most dramatic illustrator: N.C. Wyeth
- Most-noted artist friends:
- - Howard Boyle, illustrator supreme, particularly of military
systems; Boeing Helicopters in the 1970s
- - Albert Hampson, painter of Mayor Tate's portrait displayed in
Philadelphia City Hall; Saturday Evening Post artist 1930s
- Freedom is defined as selling everything and touring America
- One of his most miserable periods: living in the Junior School at
Admiral Farragut Academy in the 1950s
- Great fun place in his area: Radisson Hotel complex featuring Lily Langtree theater in King of Prussia, Pennsylvania
- Most recent social downer: The Radisson closed Lily Langtree on
April 30, 2006; still have gift of two glasses
- Best feeling in life: Security; then one can do anything
- Worst feeling in life: Fear; then one can do nothing
- Number One piece of art in the world: The Pieta
- Most enchanting association: face-face sex
- Favorite well-known song in the world: Sailing by Christopher
Cross (my daughter's choice for father dance at her wedding)
- Number 1 oldie song: Come Softly to Me by the Fleetwoods
- Favorite rock groups of all time:
- - Led Zeppelin
- - Beatles
- - Aerosmith
- - Fleetwood Mac
- - Pink Floyd
- - Gorillaz
- - Bronze Radio Return (recent)
- Favorite short film: Crazy Frog (Ding Ding) by Kaktus Film
- Second Favorite short film: Scrat (and his nut)
- Favorite techno/rock song of all times: Dare by the Gorillaz
- Favorite Blu-Ray concerts:
- - Bruce Springsteen and the Pete Seeger Session Band in Dublin
(I have the DVD)
- - -
Bruce Springsteen – vocals, guitar, harmonica
- - -
Sam Bardfeld – violin, vocals
- - -
Art Baron – sousaphone, trombone, mandolin, penny whistle,
euphonium
- - -
Frank Bruno – acoustic guitar, vocals, field drum
- - -
Jeremy Chatzky – Bass guitar, double bass
- - -
Larry Eagle – drums, percussion
- - -
Clark Gayton – trombone, vocals, percussion
- - -
Charles Giordano – accordion, piano, Hammond organ, vocals
- - -
Curtis King Jr. – vocals, percussion
- - -
Greg Liszt – banjo, vocals
- - -
Lisa Lowell – vocals, percussion
- - -
Ed Manion – tenor and baritone saxophones, vocals,
percussion
- - -
Cindy Mizelle – vocals, percussion
- - -
Curt Ramm – trumpet, vocals, percussion
- - -
Marty Rifkin – steel guitar, dobro, mandolin
- - -
Patti Scialfa – acoustic guitar, vocals
- - -
Marc Anthony Thompson – acoustic guitar, vocals
- - -
Soozie Tyrell – violin, vocals
- - Toto, 25th Anniversary Performance in Amsterdam (I have the DVD)
- - - Bobby Kimball - Vocals
- - - Steve Lukather - Guitar/Vocals
- - - Mike Porcarro - Bass
- - - Simon Philips - Drums
- - - David Paich - Keyboards/Vocals
- - - Tony Spinner - Guitar/Vocals
- - - John Jessel - Keyboards/Vocals
- Friends in music:
- - Caryn Lin of Philadelphia
- - Ray Beran of Washington
- - Terry McGrath and the Greystone Ramblers of West Chester
- Most interesting couple in history: Captain Bligh and Fletcher
Christian
- Funniest shows ever on TV:
- - The Carol Burnett Show with Harvey Korman, Tim Conway and Vicki
Lawrence
- - Rowan & Martin's Laugh-in
- - Taxi
- - Married with Children
- - Soap
- - F-Troop
- Favorite dance steps:
- - The Pony
- - The Bristol Stomp
- - Pata Pata (introduced by
Miriam Makeba in the 1960s) performed now by Coumba
Gawlo
- Movies I wish I had today:
- - Disney's Living Desert
- - Disney's The Sea Around Us
- - Disney's Water Birds
- - Tight Little Island
- - The Golden Age of Comedy (featuring Ben Turpin, Keystone Cops,
Laurel and Hardy, et al)
- Funniest skit ever: On Dean Martin's Goldigger Show; Marty Feldman
as resident fat man at fat farm
- Funniest movie scenes ever:
- - White Girls (Wayan Brothers), the bathroom scene
- - Down Periscope when Buckman farts
- - The Imposters when the sheik dances with Tucci and Platt
- - Blazing Saddles, the campfire scene
- - "Not now, Kato!" from Pink Panther
- - Laurel and Hardy as sailors driving a car in The Golden Age
of Comedy
- - The mission briefing with the girl in the short dress in Catch
22
- - Nathan Lane as the mother in Birdcage
- - The fart scene in Robots with Robin Williams
- Favorite classical music piece: Ravel's Bolero
- Greatest accomplishment so far: My daughters
- Favorite alter ego: Father Time
- Greatest disappointment so far: Still no peace in the world, only
patches in which to pretend peace exists
- Greatest fear to date: the medical profession has sold out to the
pharmaceutical industry
- Most diabolic twist in advertising: advertising prescription
medicines to those watching TV
- Most interesting man in history: Imhotep (not the character played
in the Mummy, the real man)
- Most interesting woman in history: Mary Magdalene
- Favorite philosopher: Greg Taylor (me)
- Favorite methodologist: William James
- Greatest distinction: making distinctions
- Original Greggie: Did you hear about the masochistic schizophrenic
who took both the high road and the low road and beat himself there?
- Most capturing image to me: a beautiful, naked 21-year old female from
any culture in the world
- Most un-capturing image: a beautiful, naked 21-year old female from
any culture in the world with no body hair
- Highest rank achieved in USAF: Buck Sergeant
- Number of times passed over for promotion in the USAF: twice
- Number of times Greg should have been promoted instead of being
passed over: twice
- First love: Patricia Stone
- Current love: my wife, Elizabeth
Lesse
- The four most memorable moments in time:
- - telling a roomful of people in Sparks Building at Penn State
that President Kennedy had died (I went to the funeral with a
girlfriend, Clare Weitzel, shortly thereafter)
- - watching the Towers fall
- - sharing the moment with the unnamed soldier who danced and sang
on the hood of a Hummer and gave out candy to the Iraqi children
during the Iraq War
- - beating the stigma of diabetes in 139 days
- The one thing that can bring peace to the world: Celestial music
spread across the canvas of time. That's it.
- Best songs I cry to every time:
- - Trace Adkin's Arlington
- - Sara Brightman's Requiem
- - anything by Hawaiian Bruddah IZ, whose real name is
Israel Kamakawiwo'ole
- Favorite country star: Trace Adkins
- Movie that held my attention the most: Alien (the first one)
- Best year of my life: "The one I am in"
- Greatest loss in my life so far: Loss of my mother, Clementine,
on September 22, 2004
- Next greatest loss in my life so far: Loss of thousands of words in
our working American vocabulary since the 1960s
- Worst four movies ever made - in my opinion (worst to least):
- - Anchor Man
- - Cabin Boy
- - Master of Disguise
- - Bottle Rockets
- Next to the worst four movies ever seen: Clash of the Titans
- A major creative concern: the continuing decay in quality porn
movies (no viable plots to enjoy)
- Worst ending for a movie: The old lady throwing the necklace into
the ocean in "Titanic." (egads......)
- Favorite composer: Ferde Grofé
- Favorite country songs:
- - Get Into Reggae Cowboy (Bellamy Brothers)
- - Texas Girls (Hank Williams, Jr.)
- - Dixie on my Mind (Hank Williams, Jr.)
- - Cotton-Eyed Joe (The Rednex)
- - Arlington (Trace Adkins) Spillman/Turnbull
- Favorite light opera: The Pirates of Penzance
- Favorites composers of the light opera: Gilbert and Sullivan
- Greatest fear: Fear itself
- Person who says the most by saying the least: Silent Bob (could
ruin a great thing by coming out and talking)
- Most enduring quality of man: Survivability
- Favorite concert: The Grand Canyon Suite by Ferde Grofé
- The stupidest stride in the world: models on the catwalk (major
strike against real women)
- Top movies of all times (number one is number one on my list;
others are randomly listed)
- - No. 1: The Imposters (Stanley Tucci, Oliver Platt, Lillie
Taylor, Campbell Scott)
- - No. 2: A League of Their Own
- - No. 3: The Pirates of Penzance (Kevin Kline, Linda Ronstadt
version)
- - No. 4: Soldier in the Rain (Steve McQueen and Jackie Gleason)
- - No. 5: Men in Black 1 (Will Smith and Tommy Lee Jones)
- - No. 6: Independence Day (Will Smith)
- - No. 7: Love, Valor, Compassion
- - No. 8: Down Periscope
- - No. 9: Trip to Bountiful
- - No. 10: Gigot (Jackie Gleason)
- - No. 11: Das Boot (Jurgen Proknow)
- - No. 12: Snow White from Disney
- - No. 13: White Girls (the Wayan Brothers)
- - No. 14: King Arthur
- - No. 15: The Birdcage (Nathan Lane, Gene Hackman and Robin
Williams)
- - No. 16: Young Frankenstein (Gene Wilder)
- - No. 17: Ice Age (brilliant production)
- - No. 18: I, Robot (Will Smith)
- - No. 19: Robots
- - No. 20: Shrek
- - No. 21: Kiss, Kiss, Bang, Bang
- - No. 22: A Funny Thing Happened on the Way to the Forum (Zero Mostel)
- - No. 23: Ice Age II (brilliant production)
- - No. 24: Cars
- - No. 25: Sherlock Holmes, A Game of Shadows (Robert Downey Jr., Noomi Rapace and Jude Law)
- Top actor of all times: Charles Laughton
- Top candidate for replacing top actor of all times: Stanley Tucci
- Favorite animated character: Sid the Sloth in Ice Age
- The actor who should have been asked to be the Inspector in Pink
Panther: Stanley Tucci
- Most enjoyed roll of all times: Nathan Lane as the mother in The
Birdcage
- Top actress of all times: Angela Landsbury
- Book that shook me up the most: Treblinka
- The only movies I ever turned off before they were over:
- - Natural Born Killers (bad roll models)
- - Bad Lieutenant (unnecessary depravity)
- The most troubling scene ever in a movie: White Squall when the
idiot captain watches his wife sink out of sight
- Interesting family facts (father's side):
- - my grandmother and friends used to play with the Czar's children in
Russia
- - my grandfather used to play guitar with Andres Segovia
- - my family was made up of Cossacks from Irkutsk, Siberia
- - I believe my Russian grandmother was
a real, true Gypsy
- - famous actress and writer of The Wolf Man, Maria Ouspenskya,
taught my father how to play chess
- - my grandfather was one of seven engineering students under the
tutelage of Professor Nicholas Sawin sent to USA in around 1914 as
munitions inspectors; others included Baron George Wrangle (the
famous Hathaway man with the patch), one of the Smirnoffs, and an
unnamed executive from Max Factor; the 7 got Sawin out of Russia in
late 50s with wife Natalia and poodle Maki
- Hollywood's biggest bloopering: lost hubcaps in car chases
- Interesting family facts (mother's side):
- - related to Jonathan Swift
- - had a bishop who condemned Mary Queen of Scots
- - have a castle in Ireland (two walls still standing)
- - related to General O'Meara buried in Christ's Church in
Philadelphia
- - descended from the Druidry through the Cullinan family
(O'Cullinaine)
- - inherited a bit of fey
- Favorite contemporary classical guitarist: Christopher Parkening
- Favorite Hawaiian slack-key guitarists
- - Ledward Kaapana
- - Cyril Pahinui
- -
Dennis Kamakahi
- Biggest concern: Would time stop if the ball falling in Times
Square on New Years got stuck halfway down?
- Finest violinists:
- - Itzak Perelman (related to wife)
- - Isaac Stern (not related to wife)
- - Jack Benny (no way)
- Most memorable philosophical statement: (paraphrasing George Burns
on turning 100) The first step to become 100 is becoming 99.
- Best ice dancers ever: Torvill and Dean (Jayne Torvill &
Christopher Dean)
- Favorite drummers:
- - Joe Morello (Dave Brubeck Quartet)
- - Gene Krupa (Benny Goodman Orchestra and his own later)
- Favorite albums of all times (not in order of preference):
- - Raggea album by Herbie Mann
- - Graceland by Paul Simon
- - Tubthumper by Chumbawamba (Greg would make a Broadway Musical
out of this if I had the money)
- - Tea for the Tillerman by Cat Stevens
- - Memory Years by Ray Beran
- - The Dance, Fleetwood Mac
- - The Call, Caryn Lin
- - African Tapestries, Hennie Bekker
- - Celtic Moods, Virgin Records
- - Hank Williams, Jr.'s Greatest Hits, Hank Williams, Jr.
- - Gene Krupa & His Orchestra - Drum Boogie, Gene Krupa
- - A Little Bit of Mambo, Lou Bega
- Person in this day and age he would like to sit down and talk with
right now: President George W. Bush
- Best blue-eyed soul singers:
- - George Michael
- - Van Morrison
- Retire? Never
- Sports: Competitive swimmer in high school (asked to go to 64
Olympics as breaststroker.... didn't accept; kept stroking breasts
informally as a side interest); polo player; sailor; track and field
(discus)
- Least favorite social happenings: A woman whining, a guest
complaining, drunken behavior, no dancing, asking questions without
giving a poop what the answer is....
- Favorite American car: 57 Chevrolet convertible (turquoise and
white) with a Continental kit, lake pipes and skirts
- Favorite International car: 55 Mercedes Benz 300SL convertible
- Favorite yacht: a fully found John Trumpy
- Most interesting current yacht: Etap's unsinkable cruiser
- Most enchanting place to be: On the fantail of a
turn-of-the-century Geary yacht at anchor in a beautiful harbor
- Favorite clear drink: Jack Daniel's (black label) and Seagram's
ginger ale (with four cubes of ice) in a large glass
- Favorite wine: Porto from Cockburns in Portugal
- Favorite exotic drinks:
- - Pink Squirrel or Grasshopper in larger-than-normal glasses (over
too quickly otherwise)
anisette, straight up; ice on the side (watching it fog when the ice
is added)
- Most wonderful black female voices in song:
- - Kathleen Battle
- - Aretha Franklin
- - Roberta Flack
- Most wonderful white female voices in song:
- - Anne Murray
- - Celine Dion
- - Joan Baez
- - Dolly Parton
- - Sara Brightman
- - Sophia Jannok
- Most wonderful black male voices in song:
- - Lou Rawls
- - Johnny Mathis
- - Paul Robeson
- - Al Hibbler
- Favorite singer of all times: Sara Brightman
- Most capturing song combo: Andrew Lloyd Webber and Tim Rice
- Most enchanting song ever sung: Unchained Melody by Al Hibbler
- Most amusing word in the English language: Fart
- Most meaningful word in the English language: Friend
- The most enchanting and capturing sound in the world: The belly
laugh of a one-year-old child
- The most beautiful face in the world: A woman's after a satisfying
sexual interlude
- Happiest moments: The one just before and the one after
- Best line in an advertisement: "I don't throw a party; I cast
one." (Orson Welles in wine ad)
- Most entertaining musician: Victor Borge on the piano
- The perfect face: Alistair Sims in A Christmas Carol
- Favorite Dancers:
- - Michael Flatly in Riverdance
- - Savion Glover, tapdance
- Favorite Musics:
- - Dixieland Jazz
- - Bluegrass
- - Techno
- - Hawaiian slack-key guitar
- - Sami joiks and related music
- Best jazz piece ever done: Desmond's Take 5, Dave Brubeck Quartet
- Favorite Tap Dancers:
- - The Nicholas Brothers
- - Gregory Hines
- - Michael Flatley
- - Savion Glover
- Most wonderful white male voices in song:
- - Michael Crawford
- - Luciano Pavarotti
- - Frank Sinatra
- - Michael Ball
- - Trace Adkins
- - Ledward Kaapana
- - Cyril Pahinui
- - Nathan Aweau
- - Bruddah IZ, whose real name is
Israel Kamakawiwo'ole
- Most underrated movie: The Professional, Leon & Mathilda; Jean
Reno and Natalie Portman (among other greats); fascinating
relationship under the most unusual circumstances; quite surreal
- Favorite Broadway Musical: Big River (Roger Miller)
- Hardest things to get: Friends and Money
- Easiest things to get: Air and Water (not necessarily clean)
- Reason for women: Filling one half of the guest list
- Reason for men: Filling the other half of the guest list
- Most inviting dinner: Lobster tails with butter after a shrimp
cocktail, chilled white zinfandel and an anisette a bit later
- Favorite bar and restaurant: Casey's Grill and Seafood in Newtown
Square, Pennsylvania; Hi, Peter
- Favorite diner: West Chester Diner, Route 3, West Chester,
Pennsylvania; Hi Alex; Hi Steve
- Most moving songs:
- - Memories (Betty Buckley)
- - Our Love Will Go On (Celine Dion)
- - I'll Catch a Yesterday (Ray Beran)
- - Requiem (Sara Brightman)
- - Arlington (Trace Adkins)
- Person I would like to know: Benjamin Franklin
- My hero? The Druid who decided to invent a pantheon for the
oncoming Celts instead of dying at their hands. Long live Brigitte
and oak.
- Best people show: Inside the Actors Studio hosted by the
incomparable James Lipton
- Best people show 2: Ellen Degeneres Show
- Best hope for America (at the present time)... you (are you up to
the task?)
- Most delightful and amusing song: the Bricklayer's
Lament by
Pat Cooksey
- About Presidents:
- - President who would make the best next-door neighbor: Jimmy
Carter
- - President who would make the worst next-door neighbor: Teddy
Roosevelt
- - President who would be the most interesting to talk to: Richard
Nixon
- - President who would be the best party pal: Bill Clinton
- - President who would be most likely to lend me money: Thomas
Jefferson
- - President most likely to tell me the truth about things: Harry
Truman (whether I liked it or not)
- - President most likely to nominate me for President: not born
yet (but there's hope)
- Some interesting people I would like to have drop by the apartment as
friends to have a drink or two just because I would
like to be in their company, no reason other than some interesting
chit chat and relaxation:
- - Ellen DeGeneres
- - James Lipton (of Actor's Studio)
- - Will Smith
- - The entire cast of the Imposters (this is the only cast
where I liked everyone)
- - Any 10 Playboy bunnies under 25 (who am I kidding?)
- - Mike Meyers
- - Sean Connery
- - Bill Clinton
- - Margaret Thatcher
- - Bill Cosby
- - Barbara Bush
- - Celine Dion
- - James Earl Jones
- - John Madden
- - The Wayan Brothers
- - Nathan Lane
- - Kevin Kline
- - Kevin Klash (Elmo)
- - Steve Martin
- - Neil Cavuto
- - Andrew Lloyd Webber
- - Trace Adkins
- - Barack Obama
- - Ledward Kaapana (Hawaii)
- - Cyril Pahinui (Hawaii)
- - Bruddah IZ, whose real name is Israel Kamakawiwo'ole (Hawaii)
- - Sophia Jannok (Sami)
As opposed to other authors, I enjoy direct contact
and do not funnel communications through my publisher unnecessarily.
Please contact me directly, if you wish, through gregtheauthor@gmail.com.
In the event you prefer to contact my publisher directly, use duopubs@aol.com

This is my wife, friend, partner, Elizabeth.
She and I work in this compact office together. She sits on this site, and I sit on the other,
and side-by-side we progress through life, toward visions and create shared experiences.
I hope you have an enduring relationship with your spouse. This one is going on 36 years.
Living with Elizabeth is like making all sorts of music.
© 2011, Gregory St. John Taylor, All Rights Reserved

Still walking......